Musicians
TODD CROW, Music Director and Pianist of the Mt. Desert Festival of Chamber Music since 1996 and Professor Emeritus of Music at Vassar College, has performed extensively in the United States, South America and Europe playing regularly in the major halls of New York, London and elsewhere. He made his Carnegie Hall debut in 1992 as soloist with the American Symphony, and his London orchestral debut at the Barbican Centre with the London Philharmonic in 1986. Among his CDs are recordings of sonatas by Haydn and Schubert, Liszt’s transcription of Berlioz’s “Symphonie Fantastique,” “Todd Crow: The BBC Recordings, Vols. 1 and 2” (featuring various composers), and most recently a solo CD of 21 Chopin Mazurkas. “Heroic…Mr. Crow showed endless flair, color and stamina.” – THE NEW YORK TIMES
With a career spanning over three decades, the BRENTANO QUARTET has appeared throughout the world to popular and critical acclaim. The New York Times extols its “luxuriously warm sound [and] yearning lyricism; and the Times (London) hails their “wonderful, selfless music-making.” Known for its unique sensibility, probing interpretive style, and original programming, the Quartet has performed across five continents in the world’s most prestigious venues and festivals, thus establishing itself as one of the world’s preeminent ensembles.
Dedicated and highly sought after as educators, the Quartet has served as Artists[1]in-Residence at the Yale School of Music for the past decade. They also lead the Norfolk Chamber Music Festival and appear regularly at the Taos School of Music. Previously, the Quartet served for fifteen years as Ensemble-in-Residence at Princeton University.
In the 2024-25 concert season, the Quartet will premiere a program called “Evocations of Home,” featuring a new work by Lei Liang in honor of the late composer Chou Wen-chung. In spring 2025, they will perform Haydn’s complete Op. 33 quartets at New York’s Carnegie Hall and in several other U.S. cities. Other recent projects include “Dido Reimagined,” a monodrama for quartet and voice with soprano Dawn Upshaw, composed by Pulitzer-winning composer Melinda Wagner and librettist Stephanie Fleischmann, as well as a viola quintet, “Heart Speaks to Heart,” by composer James MacMillan.
Formed in 1992, The Brentano Quartet has received numerous accolades, including, in 1995, the prestigious Naumburg and Cleveland Quartet Awards. They have been privileged to collaborate with such artists as soprano Jessye Norman and mezzo-soprano Joyce DiDonato, as well as pianists Mitsuko Uchida and Jonathan Biss.
The Quartet has commissioned works from some of the most important composers of our time, including Bruce Adolphe, Matthew Aucoin, Gabriela Frank, Stephen Hartke, Vijay Iyer, Steven Mackey, and Charles Wuorinen. The Quartet’s notable recordings include Beethoven’s Quartet, Op. 131 (Aeon) which was featured in the 2012 film “A Late Quartet,” starring Philip Seymour Hoffman and Christopher Walken, and a 2017 live album with Joyce DiDonato, Image by Jürgen Frank “Into the Fire—Live from Wigmore Hall” (Warner.) Their most recent release features the K. 428 and K. 465 (“Dissonance”) Quartets of Mozart for the Azica label.
The Quartet is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved,” the intended recipient of his famous love confession.
American double bassist NINA BERNAT, acclaimed for her interpretive maturity, expressive depth and technical clarity, has carved out a distinctive career as a soloist, redefining the role of her instrument on the world stage. She was hailed by the Star Tribune as a “standout” for her recent concerto debut with the Minnesota Orchestra, praising her performance as “exhilarating, lovely and lyrical… technically precise and impressively emotive.”
In 2023, Nina was awarded both the prestigious Avery Fisher Career Grant and first prize at the Concert Artists Guild Elmaleh Competition. Her recent accolades also include top prizes at the Barbash J.S. Bach String Competition, Minnesota Orchestra Young Artist Competition, Juilliard Double Bass Competition, and the International Society of Bassists Solo Competition. She has given New York recital debuts at Weill Recital Hall and Merkin Hall, and has appeared as soloist with the Minnesota Orchestra and Brooklyn Symphony Orchestra.
Engaged in all aspects of double bass performance, she has been invited to perform as guest principal bassist with the Israel Philharmonic Orchestra and Oslo Philharmonic, serving under the batons of conductors such as András Schiff and Osmo Vänskä. She can also be heard performing with New York-based chamber orchestra Sejong Soloists.
Widely recognized for her compelling presence in chamber music settings, Nina is a member of the Bowers Program of the Chamber Music Society of Lincoln Center and has appeared at renowned festivals such as Marlboro Music Festival, Verbier Festival, Music@Menlo, Chamber Music Northwest, and the Bridgehampton Chamber Music Festival.
She is quickly becoming a sought-after pedagogue, having given masterclasses at the Colburn School, Boston University Tanglewood Institute, University of Texas at Austin among others. She currently serves on the faculty of Stony Brook University.
Nina performs on an instrument passed down from her father, Mark Bernat, attributed to Guadagnini.
STEPHANIE CHASE (Violin) has been a soloist with such orchestras as the New York Philharmonic, Chicago Symphony, San Francisco Symphony and the London Philharmonic. Chamber music appearances include concerts at Lincoln Center in New York, as a member of the Boston Chamber Music Society, and such festivals as Caramoor, Marlboro, and Kuhmo (Finland). She made her Carnegie Hall debut at age 18, was a top prize winner at the International Tchaikovsky Competition in Moscow, and is a recipient of the Avery Fisher Career Grant.
DOV SCHEINDLIN (Viola), acclaimed by the NEW YORK TIMES as an “extraordinary violist of immense flair,” has been violist with the Arditti, Penderecki and Chester String Quartets. He has appeared as a soloist with the Royal Concertgebouw Orchestra of Amsterdam and has performed in summer festivals in Salzburg, Lucerne and Tanglewood, and with the Chamber Music Society of Lincoln Center. He is a member of the Orpheus Chamber Orchestra and associate member of the Metropolitan Opera Orchestra.
MARK SHUMAN (Cello) was a member of the Composers String Quartet, the founding resident quartet of the Mt. Desert Festival. He has been heard as chamber musician and soloist throughout the world. He was a founding member of the Aulos Ensemble, a period instrument group, a member of the New York City Opera Orchestra, and currently plays with the Metropolitan Opera Orchestra. His recordings include the complete cello sonatas of Mendelssohn with Todd Crow.
The PARKER QUARTET was founded on the strength of friendship and a shared dedication to the art of chamber music. Although we officially came together as undergraduates at the New England Conservatory in 2002, the ensemble’s roots were planted earlier—at summer festivals where we played together in various configurations. These festivals, with their immersive, focused environments, became formative spaces: places where time seemed to pause, and where the combination of music, camaraderie, and rigorous exploration brought us together. That spirit of connection and curiosity remains a guiding force in our work today.
Our time as students was rich with discovery, shaped by exceptional mentorship. Whether at NEC, in international summer programs, or during our training with ProQuartet in France, we were fortunate to learn from artists who exemplified both musical excellence and a profound commitment to the string quartet tradition. Influences from members of the Cleveland, Takács, Juilliard, Tokyo, Hagen, Alban Berg, and Artemis Quartets—as well as from renowned pedagogues like Kim Kashkashian and Lucy Chapman—have left a lasting imprint on our playing and teaching. Their example informs our work with the next generation of musicians in our roles at Harvard University, the University of South Carolina, the Walnut Hill School for the Arts, and beyond.
In the early years of our career, following our win at the Bordeaux International String Quartet Competition, we embarked on extensive international touring. Performances throughout Europe, and later in Asia and South America, exposed us to a wide range of musical traditions, acoustic environments, and cultural perspectives. These experiences deeply shaped our interpretive approach, refining not only our sound but also our awareness of spatial and interpersonal dynamics in performance.
Our commitment to adventurous repertoire led us to record the complete string quartets of György Ligeti in 2009—a project that challenged us artistically and expanded our ensemble’s expressive range. Though we undertook the recording with no expectation of recognition, the album ultimately received the 2011 Grammy Award for Best Chamber Music Performance, affirming our belief in the value of risk-taking and deep artistic inquiry.
Now in our third decade as a quartet, we continue to develop programs and collaborations that are intellectually engaging, emotionally resonant, and artistically vital. Alongside the milestones of our personal lives—marriages, children, and continued individual growth—the quartet has remained our artistic home: a space of ongoing dialogue, refinement, and renewal.
To us, a musical home is defined by trust, shaped by legacy, and sustained by a shared commitment to discovery. That ethos continues to inspire our work, both onstage and off.
The ESCHER STRING QUARTET has received acclaim for its profound musical insight and rare tonal beauty. A former BBC New Generation Artist and recipient of the Avery Fisher Career Grant, the quartet has performed at the BBC Proms at Cadogan Hall and is a regular guest at Wigmore Hall. In its home town of New York, the ensemble serves as season artists of the Chamber Music Society of Lincoln Center.
The 2023-2024 season finds the Escher Quartet embarking upon a major project-performances of the complete cycle of quartets by Bela Bartók, culminating in a single concert performance of all six at the Chamber Music Society of Lincoln Center. The first-ever performance of all six Bartók quartets in chronological order was given by the Emerson String Quartet in March 1981, also at Alice Tully Hall, in honor of Bartók’s centenary year.
Beyond Bartók, the Escher’s will return to many of the illustrious music centers and organizations in America, such as the Kennedy Center, Philadelphia Chamber Music Society, Phoenix Chamber Music Society, Duke University, Coleman Chamber Music Association, and Savannah Music Festival, among others.
The Escher Quartet has made a distinctive impression throughout Europe, with recent debuts including the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Slovenian Philharmonic Hall, Les Grands Interprètes Geneva, Tel Aviv Museum of Art, and Auditorium du Louvre. The group has appeared at festivals such as the Heidelberg Spring Festival, Budapest’s Franz Liszt Academy, Dublin’s Great Music in Irish Houses, the Risør Chamber Music Festival in Norway, the Hong Kong International Chamber Music Festival, and the Perth International Arts Festival in Australia. Alongside its growing European profile, the Escher Quartet continues to flourish in its home country, performing at the Aspen Music Festival, Bravo! Vail, Santa Fe Chamber Music Festival, Bowdoin Music Festival, Toronto Summer Music, Chamber Music San Francisco, Music@Menlo, and the Ravinia and Caramoor festivals.
The 2022-2023 season saw the release of two albums – string quartets by Pierre Jalbert and the Escher’s studio recording of the complete Janacek quartets and Pavel Haas quartet no. 2 with multi award winning percussionist Colin Currie (BIS Label). Recordings of the complete Mendelssohn quartets and beloved romantic quartets of Dvorak, Borodin and Tchaikovsky were released on the BIS label in 2015-18 and received with the highest critical acclaim, with comments such as “…eloquent, full-blooded playing… The four players offer a beautiful blend of individuality and accord” (BBC Music Magazine). In 2019, DANCE, an album of quintets with Grammy award winning guitarist Jason Vieaux, was enthusiastically received. In 2021, the Escher’s recording of the complete quartets of Charles Ives and Samuel Barber was met with equal excitement, including “A fascinating snapshot of American quartets, with a recording that is brilliantly detailed, this is a first-rate release all around” (Strad Magazine). The quartet has also recorded the complete Zemlinsky String Quartets in two volumes, released on the Naxos label in 2013 and 2014.
Beyond the concert hall, the Escher Quartet is proud to announce the creation of a not-for-profit organization, ESQYRE (Escher String Quartet Youth Residency Education). ESQYRE’s mission is to provide a comprehensive educational program through music performance and instruction for people of all ages. In addition, the quartet has held faculty positions at Southern Methodist University in Dallas, TX and the University of Akron, OH.
Within months of its inception in 2005, the ensemble came to the attention of key musical figures worldwide. Championed by the Emerson Quartet, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet in Residence at each artist’s summer festival: the Young Artists Program at Canada’s National Arts Centre; and the Perlman Chamber Music Program on Shelter Island, NY.
The Escher Quartet takes its name from the Dutch graphic artist M.C. Escher, inspired by Escher’s method of interplay between individual components working together to form a whole.
Distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, the ARIEL QUARTET has garnered critical praise worldwide for more than twenty years. Formed when the members were just teenagers studying at the Jerusalem Academy Middle School of Music and Dance in Israel, the Ariel was named a recipient of the prestigious Cleveland Quartet Award, granted by Chamber Music America in recognition of artistic achievement and career support. Celebrating their 25th anniversary in 2023, the Quartet serves as the Faculty Quartet-in-Residence at the University of Cincinnati’s College-Conservatory of Music (CCM), where they direct the chamber music program and present a concert series in addition to maintaining a busy touring schedule in the United States and abroad.
Recent highlights include the Ariel Quartet’s sold-out Carnegie Hall debut, a series of performances at Lincoln Center together with pianist Inon Barnatan and the Mark Morris Dance Group, as well as the release of a Brahms and Bartók album for Avie Records. In 2020, the Ariel gave the U.S. premiere of the Quintet for Piano and Strings by Daniil Trifonov, with the composer as pianist for the Linton Chamber Music Series in Cincinnati.
The Quartet has dedicated much of its artistic energy and musical prowess to the groundbreaking Beethoven quartets and has performed the complete Beethoven cycle on six occasions throughout the United States and Europe. The Ariel Quartet regularly collaborates with today’s eminent and rising young musicians and ensembles, including pianist Orion Weiss, cellist Paul Katz, and the American, Pacifica, and Jerusalem String Quartets. The Quartet has toured with cellist Alisa Weilerstein and performed frequently with pianists Jeremy Denk and Menahem Pressler. In addition, the Ariel served as Quartet-in-Residence for the Steans Music Institute at the Ravinia Festival, the Yellow Barn Music Festival, and the Perlman Music Program, as well as the Ernst Stiefel String Quartet-in-Residence at the Caramoor Festival.
Formerly the resident ensemble of the Professional String Quartet Training Program at the New England Conservatory, from which the players obtained their undergraduate and graduate degrees, the Ariel was mentored extensively by acclaimed string quartet giants Walter Levin and Paul Katz. It has won numerous international prizes in addition to the Cleveland Quartet Award: First Prize at the prestigious Franz Schubert and Modern Music Competition in Graz/Austria, Grand Prize at the 2006 Fischoff National Chamber Music Competition and the Székely Prize for the performance of Bartók’s String Quartet No. 4, and Third Prize at the Banff International String Quartet Competition. About its performances at the Banff competition, the American Record Guide described the group as “a consummate ensemble gifted with utter musicality and remarkable interpretive power” and noted, in particular, their playing of Beethoven’s monumental Quartet in A minor, Op. 132, as “the pinnacle of the competition.”
The Ariel Quartet has received significant support from the American-Israel Cultural Foundation, Dov and Rachel Gottesman, and the Legacy Heritage Fund. Most recently, they were awarded a grant from the A.N. and Pearl G. Barnett Family Foundation.
First Prize winner of the 2013 Ima Hogg Competition, Clarinetist MORAN KATZ also received the Audience Choice Prize as well as the Artistic Encouragement Prize voted on by the Houston Symphony musicians. In the year of 2009 alone, Ms. Katz won the First Prize at the Freiburg International Clarinet Competition in Germany, the Second Prize at the Beijing International Music Competition for Clarinet in China and the First Prize and Overall Prize at the Midland/Odessa “National Young Artist Competition” in Texas. She has appeared as soloist with such orchestras as the Israel Philharmonic Orchestra, China Philharmonic, SWR sinfonieorchester Baden-Baden and Freiburg, Collegium Musicum Basel, Houston Symphony, Albany Symphony, Brooklyn Philharmonic, Ensemble ACJW, New Juilliard Ensemble, and the Haifa Symphony Orchestra. Her performance credits include recitals for the Phillips Collection in Washington D.C., the Dame Myra Hess Recital Series in Chicago, and the Fine Arts Recital Series in Sarasota, FL; a NY debut recital at Merkin Concert Hall as part of the Tuesday Matinee Recital Series and a Debut at the Chamber Music Hall of the Berlin Philharmonic. Following an invitation of Maestro Daniel Barenboim, she joined his West-Eastern Divan Orchestra for a twelve-concert-tour in Europe. A clarinetist for the internationally acclaimed new music ensemble “Continuum”, a member of Carnegie Hall’s Affiliate Ensemble “Decoda” and a co-founder of the innovative “Ensemble Melange” (previously known as “SHUFFLE Concert”), Ms. Katz recorded for Albany Records, Naxos, Tzadik and Innova labels and premiered music by Mario Davidovsky, Roberto Sierra, Huang Ruo, and Avner Dorman.